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Poetry

Patty Seyburn - 2 Poems

 

To Hope Street


Where I grew, roads named for their distance
from the river: 6 mile, 7 mile, 8 mile –
and the solemnity of numbers showed
resistance to artifice. Where I live

are neighborhoods of streets named for precious
gems – ruby, sapphire, pearl – and flowers –
poppy, camellia, lilac – displays plush enough
to harbor a felon, should the getaway car

expire. Here, even stucco buds –
tax dollars at play. Usually, it seems like Hope
wends places deloused of such luxury,
the drag from East Origin to West Destiny,

towns with city councils that meet in holy
donut shops. Here, west means you’re going
toward the ocean and east means away, go back
from whence you came. I cannot go back

and neither can you. It does not exist –
those bustling Main Streets rusted over,
forlorn chassis in the Midwestern winter,
dead-ending into a field reclaimed by attitudes

of grass alongside a highway that pulled
a number so great it would surely be conscripted.
The dead and dying parade their nostalgia
down it wearing floats, risen above the fashioned

facts of memory. The street develops amnesia,
forgets its faults, dreams of asphalt patch.
Does lane aspire to avenue? Circle to thoroughfare?
I cannot help thinking that the street named hope

has something to offer. Something prophetic?
Something narcotic? I cannot help
thinking, though I can’t say it’s time well-spent.
Ignominious hope, pedestrian hope,

a street is defined by its bounds: two sides
to every story. “Abandon all hope, ye who enter”:
the billboard outside hell, according to the man
who layered hell like a taco salad. If it will

make you feel better, you can cry
on the shoulder of the road.

 


2nd of Tammuz

There are days that refuse to perform
calisthenics, defying the sun’s anesthesia, preferring
to dwell, to wallow in callow Self-

reflection. Were you Romantic, at your leisure
you’d locate a shallop and let the water
reiterate its measure, its phrase. You’d see Yourself

diffused, distracted from your woes
while your fingers briefly
cleaved the waves.

Were you current, you’d doubt a rare
mood so whole while the corporate personality
of god – vengeful random just – chose

which suit to wear.
God the potter landlord vintner – which hat now?
God the sovereign milliner.

Oh day that slaps the bastard hope, buries
the unguent, mocks origin dream desire
(intrepid Virgils)

you must be given your due, decrees God the snake-
maker, creator of daemon doubt to balance
the beatific. Will you question the divine

division of labor? You need not
heed – you’d not be the first.
Alas, Dame Wisdom took the day off

and tribal deities tire of dilettantes,
so don’t bother pillaging
Other Traditions. No intervening

angel today, no talisman or totem to guide you.
Where consolation meets
desolation, put your hand

to the latch.

 

 

 

Patty Seyburn has published two books of poems: Mechanical Cluster (Ohio State University Press, 2002) and Diasporadic (Helicon Nine Editions, 1998). She has had poems published recently in 5 AM, Hotel Amerika and RHINO, and reviews in Slope, International Poetry Review and The Journal. She is an assistant professor at California State University, Long Beach, and co-editor of POOL: A Journal of Poetry, based in Los Angeles.