Arbutus
 Home             Reviews             Essays              Fiction              Poetry             Guidelines              About               Links

Poetry

Ted O'Callahan - 1 Poem



Huerta De Oliva


The diesel generator's ragged moan

echoed from its concrete bunker. At 10:30

this century was turned off.

The town went dark and silent—

wet stars pressed, date palms

chirred and the San Pedro Martir hills—

hills of crumbling shale, hills speckled

with bits of shells-all this was underwater—

a ring of hills that suggest there is nothing



worth seeing outside this valley. Sitting on the sparse

grass and sandy soil-the uncertain space between

churchyard and orchard, we eat granola,

powdered milk, stale treated

water. Manuel stops on his way to work

the orchard. We offer coffee charred

on the camp stove. He is kindly literal

for our gringo Spanish unprepared

for nuance. He poses for a photo and tells us

once a month, the priest comes, in a tattered

little pickup with a Jesus air freshener,

to say mass here at the end of the road.



He walks us through a shaded trail overhung

by brush. Then brightness and a dancerly

avocado. Slender tall, determined in its pose.

Grapefruit, oranges, and Manuel's invento

a lemon orange cross. It seems disrespectful



to throw the peel but we follow his lead.

As we return along a different path,

again into the dense foliage, set apart with a tattering

of leaves slowly decomposing around its base.

Silvery trunk and grey green leaves. Three hundred years

old-planted by the first priest. Dull nubs-new olives

are growing from this tree with a history.



Carried by hands from Europe—

so unimaginably far away through time

and a different sort of space

that journey was not the same-that man was courageous

to find himself in a land

named for a mythic island.

What did he believe so strongly as to gather

the people, spread in judicious patches

over these desert hills. Gather people to him.

Insist they build a church. What must it have been

to see them die of his foreignness? Where



did he carry the seed for this tree? In a pocket or a pouch?

In his hand as a reminder of home?

Among so many trees, this one

has a history. To know it was in a hand

so long ago-ridged pit scraped clean by tooth and tongue

a tarry black knot in time, stringing

together a world unmapped

to this present that so often seems ghostly

in its electronic precision. Did that priest cry himself to sleep.



As the people around him died

and died? Did he worry he had taught

only enough to knock them out

of heaven?